The Royal Heist - Interview (CLICK HERE TO READ)

I recently had the chance to interview The Royal Heist. Click above to check it out. Fun read!

Your album Midnight In The Garden Of Evil just came out. Can you tell me a little about the recording process of the album and why you chose to title it Midnight in the garden of Evil?
Well, we recorded the album at Sunset Sound, which was quite amazing in itself. We were fortunate to have the opportunity to record an album in the same studio as legends such as The Doors, The Rolling Stones, Prince, just to name a few. To record and create in such a environment really made the recording process special for us!
The Recording Process itself was very quick, the majority of the time we spent on the album was in pre-production. We took a lot of time writing the songs, then we would demo them, then we would get together with Mykul Lee (executive producer) and really dissect and re-structure the songs until we were happy with a final version.
As far as the album title goes, apart from being a line from the 7th track on the album, we felt it tied together all of the subject matter of the songs. The album touches on a lot of different issues, sex, drugs, lies, even love, but all reference real life situations, whether our own, or others we have observed. Midnight in the Garden of Evil is about decisions people make in their lives, and the consequences of those situations.

You worked with Mykul Lee and max Coane on the new album. Can you tell me how that cam about and what the experience was like?
We have been great friends with Mykul Lee and Oh No Not Stereo for a long-time now. We have shared many tour vans and many bottles of whiskey together! When it came time for The Royal Heist to start recording a record, Mykul Lee was the man who made that happen. Mykul had worked with Max on Oh No Not Stereo latest record 003, and Mykul introduced Max to us, all along intending for him to engineer our record. Once all the pre-production was done, we went in to the studio and the rest is history. Working with Mykul Lee and Max Coane on this record was more than we could have asked for, both of them helped tremendously in all aspects of making this record!

When I listen to the music it all sounds really well put together but something about the way the bass works with the vocals adds something extra to the music. How did you guys go about defining our sound and what are some of your biggest influences?
When we started the band we were all switching instruments in a way, Collin was a drummer now singing, Everett was a guitar player now playing bass, Our old guitar player had never played guitar before, and Charlie had never played that style of drumming before. So needless to say we were pretty rough around the edges, but the change of positions in the band helped to create the unique sound we have created over the years. The bass is always prominent and driving and locked in with the drums, with riff driven indie style guitar work.
We all have different influences as musicians, coming from very different musical backgrounds. We feel that the diversity of our musical interested helps us to create a unique style of music. When it came to aiming at a style we really found comfort in bands like Bloc Party, and Arctic Monkeys, who seemed to have that high energy 4 on the floor style of music that we were also creating. Though we really like to think we don’t sound anything like the bands people compare us to, and have the ability to stand alone.

The music business has been drowned in bands over the last few years. As artists how do you stay ahead of the pack and find a away to create something original enough to draw fans to your band?
We feel that the trick to creating something original, is to make sure not to be influenced by anything other than the sounds of your own music. If you create based on the music of others than you will always lack originality. Though a smart artist must know the marketplace, as well as who is achieving success, you can never let that influence the decisions you make creatively, this is the downfall of the average band!

Who are you guys currently listening to that are up and coming that people should check out?
If you have not already, you most definitely need to check out Oh No Not Stereo, also we love a North Hollywood local band called Murph and The Blackouts, also check out The Photo Atlas, and The Epilogues, both Denver bands who you will be hearing about soon!

What are the plans with the album just dropping as far as music video and tours?
We just toured in March, to Austin for SXSW and back. Now we are concentrating on playing Los Angeles in support of the record for the next couple months, most likely hitting the road again at the end of the summer! We have some video shoots lined up, so keep an eye out for those.

You guys are unsigned which seems to be a going trend with a lot of bands these days with the record industry kind of failing artists and 360 deals taking money out of their pockets. Why did you guys decide to release the album and would you consider signing to a label?
Well were a band, and releasing albums is what bands do, with or without label representation. As far as signing with a label, of course we would consider it, who wouldn’t consider the idea? But without specifics it’s impossible to say what we would do in a label signing situation.

I guess that wraps it up. Do you guys have any closing comments?
Thanks for taking the time to pick our brain, and thanks to anyone who took the time to read this interview. Our album is available on I-tunes, and amazon.com. For more info on The Royal Heist , check us out at www.theroyalheistmusic.com . Thanks for your support!
The Royal Heist

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Steven Smith (Interview) (CLICK HERE TO READ)

I recently had the chance to interview VJ Steven Smith (Fuse/Steven's Untitled Rock Show). Click above to check it out.

First off thanks for the interview.
You're very welcome.

IMX filmed at street level and fans could watch the artists from the windows during filming. Was there ever any crazy TRL-like fandom for any of the artists who stopped by?
Yes, the first time Taking Back Sunday stopped by it was like Beatlemania. The same thing happened for Linkin Park, Eminem, and Avenged Sevenfold. It was always fun to see fans go crazy. I think Daniel Radcliffe was the best. Soooo many people.


Throughout all of the different shows and specials you have done so far, what was the craziest experience or the best experience when you realized this is the right job for me?
I kind of always knew this was what I wanted to do, even when I didn't know it. I've always been interested in talking with people, sharing and conversing. I like the talk show format and finding a way to get interesting stories out of people without being intrusive. As for best experience, when you have an interview where everything just clicks you know it's right. My favorite of last year was with Brad Paisley. We just talked and halfway through he asked when the interview was starting. That's how I like things to go. No inhibitions, no on the spot questions, just hanging.


If you could ask anyone one question, what would it be?
What time is it. My favorite question ever. And nobody has a problem answering. I'm also a big fan of "What's new?" Catches people off guard in a good way and sets the tone.


Your biography on Fuse mentions such interviews as when you were "kissed by Gwen Stefani...was wacked in the privates by Marilyn Manson, downloaded tracks with Metallica...and talked rock with Hollywood heavy-hitters such as...Sir Ben Kingsley." Which of these experiences resonates with you the most?
The nut whacking resonated for a good two minutes. I also liked talking with Manson. He's a smart dude who gets where he is in the pop culture pantheon. Basically just a dude who likes wearing make-up. And absinthe. The man likes his absinthe.


You served as executive producer on Steven's Untitled Rock Show. What was the difference in working behind the scenes as well as interviewing? Would you like to do more behind the scenes work in the future?
I really enjoyed producing but mainly what I did was come up with ideas and have my team implement them. The whole battle with producing is hiring people who are waaaay smarter and more experienced than you. My producer and writer were top notch and I knew I was always in good hands.
I like behind the scenes but my home is in front of the camera.


You sung background on Paramore's album. First, what was it like to be asked to sing on the album? Second, what other band would you love to sing with or be involved in the process of their album?
It was terrifying! I am not a singer! Not in the slightest. They surprised me by asking and I was honored and horrified to do so.
That was it for me. I'm a host not a rock star.


The Foo Fighters canceled all of their press for a day besides Steven's Untitled Rock Show. Unfortunately, some bands are not what they seem. Do you have an experience where it was difficult to work with a band?
Luckily for me those instances are few and far between.
Most people are really cool. And artists are smart, they have their managers or labels be the bad guys.
I would have that too. A lot of journalists like to ask questions that have nothing to do with their music or movie or whatever and to me, that's not the point.


When talking about alternative music and mainstream music now you said, "There really is no underground anymore." What do you think is next for music?
The internet. We're already there. I sincerely hope Myspace becomes what record labels used to be but on a more community based level.
The record industry attacked fans for sharing music when they should have evolved with the new technology and not scapegoated the very people who paid their salaries.

About underground music, can you remember any particular artist that you were excited to get through the old ways of tape-trading?
Tape-trading is a weird thing. We used to use it for bootlegs. It was a big Grateful Dead phenomena and I really only got one cassette through tape-trading.
It was a bootleg of the first time I saw Jawbreaker. I still have it. As far as tape-trading goes all we ever did growing up was trade cassettes of albums we had.
We didn't have the money for all the music so everyone would share what they had. Which is legal by the way. If I buy an album, make a copy of it and give it to that's totally within the law.
But if I sell it to you, that's illegal and thus not sharing.


How do you feel about the way people discover music now? Do you think it has changed for the better or worse?
People still discover bands by word of mouth. They always have and always will. Now the mouth is online and you can find out about bands and listen to them immediately.
I heard about this band the Menzingers from the Gaslight Anthem's twitter posts and I can't get enough of them. It's definitely gotten better as you can hear new music with the click of a button.


In my opinion, Carson Daly was probably one of the biggest VJs of the 90s and you were arguably one of the biggest VJs of the last ten years. Did you ever think this would happen when you started out? Do you think you will ever reach Riki Rachtman’s status?
You're very kind to say so. You're forgetting Damien Fahey who took over for Carson on TRL. I never think of myself as huge, as a matter of fact, I feel like I'm just starting out. I had a great following on SURS which I feel was cut off in it's prime but that's how those things go. As for Riki Rachtman status, he and I used to have the same manager if you believe that. He hosted Headbanger's Ball. My show was way more 120 Minutes.


During the time of Steven’s Untitled Rock Show many styles went in and out, which is common in music. What did you think of the style of music during the show and what do you think about it now?
Which style in particular? Emo? SURS played a lot of that but we also showcased many indie bands, indie meaning independent label, which went on to become huge stars. I liked to think we were multi-genre playing roots rock to screamo to metal and sometimes folk. I don't think styles come and go but I do think trends do. It's hard for bands to stay together despite their style. That's half the battle.

You were the first person to interview Taking Back Sunday on national television and at that time it was the Tell All Your Friends line-up. You’ve interviewed them quite a few times throughout the years, what do you think about the Tell All Your Friends line-up getting back together?
That's a tough question, I really like the Tell All Your Friends line-up and love that album. Having said that I feel the strongest song-writing was with Fred Mascherino and Matt Rubano. Matt co-wrote "Makedamnsure" which is their biggest hit while Fred really upped the musicianship of the band.
I am curious to hear what will come of this new album.

What is one thing people do not know about Steven Smith?
I like ballet dancing. True.


I guess that about wraps it up. Thanks again for taking the time to answer the questions.
You're very welcome. Thanks for having me.

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The Republic Of Wolves Interview (CLICK HERE TO READ)

I recently had the chance to interview The Republic Of Wolves whose debut EP is currently available on iTunes and pre-order for the physical copy. Check these guys out and click above to read the interview!


-First off thanks for the interview

Thanks for taking the time to interview us.

-You guys really gained a large following last year after the Brand New Daisy Demos (which turned out to be your songs). I know by now it’s one of your most talked about things, but if you could kind of let our readers know what went down and how that whole situation came about?

In the summer of 2009 we started working on a project that would eventually become known as "The Republic of Wolves." After recording a few demos we sent them out to some friends to see what they thought. One of these friends took it upon themselves to post the songs on YouTube as "Brand New Demo Leaks." We didn't even know about this until a couple weeks later, and by then the pages had started to explode with feedback. Some people thought it was Brand New, some thought it was a hoax, but needless to say we were pretty shocked at the reaction. We were even more surprised to find out that a lot of people on Absolutepunk.net were talking about our songs, including the CEO, Jason Tate. So we contacted him personally in order to let everyone know that the songs they were hearing were actually ours.

-You often times here about bands getting lucky on viral promotion or just by a random series of events (similar to the youtube daisy demo story you guys have). Did the friend who uploaded the demos ever think he would actually thrust you guys into the limelight and did him actually doing this upset you guys at all or is he now one of your best friends for doing it?

I don't think he could have ever imagined the outcome of those posts becoming what it did. If anything he was just trying to be funny and cause a stir. And yeah, we were a little upset when it first happened, for a few reasons. Partly we felt kind of cheap about it, like our music was being used to trick people even though it wasn't actually our own doing. But also the last thing a new band wants is to be forever seen in the shadow of something else, and we all realized the Brand New thing was going to stick for a while. But I think after we released our EP and the vinyl people were able to hear that we did have our own unique sound, and we plan on continuing to develop that sound as we write and record our first LP. At the same time it's impossible for us to stay angry about the whole YouTube fiasco, since it's done such amazing things for us as a band. It's a strange turn of events to say the least, but we consider ourselves very lucky.

-You released your first EP His Old Branches last year and it was very well received. You guys are currently working on releasing the EP in physical format. What will come with the physical version of the album, in terms of artwork, special packaging, etc.?

The physical release of the EP will come with a download card which allows you to download a demo of a song entitled "Sea Smoke," the full version of which will be on our full length. The packaging will have the same album cover that comes with the digital version of "His Old Branches," with artwork by Ben Kehoe, but the actual layout of the packaging is more detailed and will include the lyrics to all the songs. The layout was done by graphic artist and friend of the band Nick Cuomo. The physical release will be distributed by Vintage Hustle Records and is available now for pre-order on their web site.

-You also just released the Cardinals 7” vinyl. A lot of bands are releasing stuff on vinyl these days and it offers something limited and exclusive to fans. In a digital era why was it important to you guys to put something out on vinyl?

Well just like you said, it offers something limited and exclusive to fans whether they can actually play the vinyl or not. We know plenty of people who bought one just to collect the record and the artwork itself, which we're really proud of. Though we are in a digital era people definitely still enjoy tangible merchandise, and it's just a great feeling to produce something you can actually hold. We're also really grateful to Simple Stereo and we love what they've done with the vinyl. We sincerely hope everyone will buy one.

- One thing I like about the presentation of the EP and the 7” is the artwork. Who did the artwork for both of those releases and what made you guys decide on those particular covers?

For the EP the cover was a piece done by an artist named Ben Kehoe. We stumbled onto his work while recording the EP and really felt like the tone of his work went well with the songs we were writing. The layout of the EP was done by a graphic artist named Nick Cuomo, a good friend of ours. For the vinyl we went in a different direction, using literal representation and a simple color scheme. Artist and band member Gregg Andrew, along with Nick Cuomo, came up with something that we felt flowed really well with the songs. But art in general is an important facet in this project and we plan on keeping it that way for future releases.

- I think something that interest people in your music is you seem to draw inspiration from more bands found in the early part of the 2000’s (mostly from your area of Long Island). Is that a true statement? What bands currently inspire or have inspired you? And why?

Well there's definitely some truth to that, but we actually have a lot of diverse influences that we've drawn from. But in terms of older stuff there aren't many direct ones, except for some lyrical inspirations like Bob Dylan. Some more current influences are Bright Eyes, Radiohead, Sigur Ros and Godspeed You! Black Emperor. And there's no denying that Brand New is an influence of ours, and given the circumstances I guess that's the one that shines through most clearly to a lot of listeners. But from our point of view Brand New is just one of many artists that we've been inspired by.

-After you release the physical EP do you plan on following it up with a full length?

We're actually working on the full length now, and we're aiming for a fall release. Since we have our own studio we're always writing and recording here and there, and at the moment we're working on a couple of different projects (the Wolves LP being one of them).

-You guys seem to handle stuff in a somewhat DIY fashion. At this point have any labels shown you a lot of interest to the point where you might look at releasing your full length on a larger label?

We're having a great time doing pretty much everything ourselves right now, primarily for creative reasons. We've definitely attracted attention from quite a few labels, but we've more or less stayed away from the idea of a contract or commitment for the time being. But if a situation presented itself that looked like it could really be good for us in the long run, I'm sure we'd consider it. Right now the DIY method seems to be working out great, though, and the help we've received from Vintage Hustle Records has also been great. They've done a lot for us and it's a pleasure to release our EP physically through them.

- You are currently running a cover contest. Can you give our readers the details on the contest? The contest sounds like a really fun one how have the submissions so far sounded?

The contest is just what it sounds like: record or film a cover of any one of our songs and send it to INFO@VINTAGEHUSTLE.COM. The first place winner gets a signed vinyl, a signed physical EP, and a shirt from 410 B.C clothing; but the best part of the prize is that they get to choose any song they want for us (the Republic of Wolves) to cover, and we'll cover it. There's also some prizes for second and third place. All the details are laid out here on the flyer: http://www.greggandrew.com/flyr.jpg The submissions have been great so far, but we'd really love to hear some more. The contest ends on April 26th, so there's still time. Everyone submit a cover!

-Some of the members of The Republic Of Wolves are also members of Tigers On Trains. Can you tell me a little about Tigers On Trains and what differs from the two groups?

Well two of us (Mason and Christian) make up Tigers on Trains, but we're all kind of involved in that project in one way or another. So in terms of group dynamics and such it's very similar, just a simplified version. Musically it's really different though, since it's almost all acoustic and the style is more folk than rock. The songwriting process is different as well since the songs are all pretty simple and straightforward, and with two members there's less variables involved and it's a more linear process. But alot of the main musical elements are common to both projects, such as the emphasis on harmony, metaphorical lyrics, and emotion in the music.

-I guess that about wraps it up. Thanks for taking the time to answer the questions. Do you have any closing comments?

No problem, thanks so much for the interview. I guess in terms of closing comments we'd just like to tell everyone to please support us by buying our vinyl, pre-ordering our EP, participating in our contest, and just spreading the word! We really need people to keep supporting us and telling their friends about us, especially because that's how we got to where we are now. And we're so grateful to all our fans for that. It really means a lot to us.

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Bill McShane (Ultimate Fakebook) (CLICK HERE TO READ)

I recently had the chance to interview Bill McShane of Ultimate Fakebook fame. I've been a big fan of Ultimate Fakebook for a long time and this interview came out great.

First off thanks for the interview
No problem, it's my pleasure man!

For those who don’t know you, you used to be the singer and guitarists in Ultimate Fakebook. The other members of Ultimate Fakebook have started a new band. I was wondering what you’ve been up to?
After UFB broke up, I moved out to Los Angeles which is where I live now. I needed a change of pace from pursuing music, so being a big movie fan, I got into film and video editing. I work now as a trailer editor.


Over the last year or so Ultimate Fakebook have gotten together for a couple reunion shows is there a possibility you’d ever like to record a new Ultimate Fakebook album (or some new songs)? Or the possibility you’d ever release a solo album or start a new band?
I'd say anything is possible. Nick, Eric and I are all still great friends, and we basically do UFB stuff now just for fun when we can make time. Will that mean new tunes...maybe, who knows! We definitely don't suffer from an absence of ideas when the three of us get together. As for me doing something else musically, it's not really something I'm seeking out actively. But I do still love music obviously, so if the right situation comes up, you never know. I actually just sang on a song with Stephen Egerton (guitarist of the Descendants, and ALL) for his upcoming project, so that was really cool and fun to do. And my favorite musician of all time is Bob Pollard, who got big with Guided by Voices while he was in his forties. So as far as I'm concerned, it's never too late to rock!

You seem to still be on good terms with the previous members of Ultimate Fakebook who are now in The Dead Girls. What do you think of their new band?
I love the Dead Girls! Recently with their live show, and also with their latest album "Out of Earshot" they have really come into their own. The musicianship and songwriting they've got going on is pretty badass. But hands down the thing I love about them the most is that at this point in their lives as band dudes, they absolutely could care less about getting big. They are so over all that crap! They aren't trying to fit in with any kind of scene or sound that's popular. They just wanna rock. And that attitude really comes across when you see them live, and it's really contagious and refreshing.

The way to get music out has rapidly been changing and evolving over the last couple of years. Do you think the changes are positive or negative? Do you think the way artists operate now is better or worse than it was a few years ago?
That's a big one. I mean sure, it's cool that more and more music is out there due to it basically being free and easy to get, but I personally feel that what has happened is the quality has suffered. There aren't as many hurdles to go through and struggles for new bands or musicians putting stuff out. Now you can write a song and post it immediately that day to the entire world. I guess I prefer the long way. So this way of working and operating I feel is just not as cool as it was back when you had to really fight just to get a demo made, and then to get it heard, and to build up a following by actually entertaining people live, not by just being the cool kid with pro tools in his basement. All of that struggling is what gives you experience to say something meaningful and get deeper into what makes you stand out as an artist in the first place.

I read on your twitter you recently participated in a walk to end kidney disease. Can you tell me how that went and maybe way you decided to get involved?
Yeah my wife works for the national PKD foundation, whose goal is to fund research to find a cure for polycystic kidney disease. She's worked for them for a long time and has been seriously kicking ass. She's done an awesome job at getting me, and tons of people involved.

Ultimate Fakebook’s music seems to still have a large fan base and the music has really been long lasting for listeners. What do you think it is about those songs that keeps people interested and listening?
Well that's really cool of you to say. I am super flattered that the music means something to some people. In fact that's by far been the best thing about the entire UFB experience, and it's something I'd never considered or expected when we started writing songs. I think while we definitely were interested in musically crafting a great pop song at all times, our lyrics were really honest. I just didn't feel right about singing lyrics that didn't come from a personal place. And for me that was basically writing songs about being a nerdy kid with big dreams, always pining for some girl from afar. You know, the basics!

New fans that are just discovering the band and can’t really find any information on what happened to end the band as the sites hosting the information have been taken down. Can you kind of give our readers a little insight into why the group ended?
Well it was obviously not an easy decision because I love the other guys and was really, really proud of our records. But I just got really burned out from touring non-stop, and just felt I needed to try some different things. Even if I was to return to music someday, I knew I needed to get out of my comfort zone.

Also I remember back a couple years ago you where in a Guns’n’roses (I think it was Guns) tribute band whatever happened to that band and what about that band in particular made you want to start a tribute band?
Yes! We are called Sweet Band O'Mine. It's still together, and we have a revolving door of musicians who play in it. Why do a GN'R tribute band? Duh?!?! Well for one thing we only play "Appetite for Destruction" songs, so I guess the reason is because that record is the most balls out expression of the rock and roll lifestyle ever recorded! Great songs from start to finish. Our shows are insane, we dress up and the crowd is way into it, it's pretty much the most fun thing ever. I haven't played with them for s while since I moved, but someday I'm sure I will again.

I guess I’ll close this interview out with this question which is kind of a few questions (haha). How did you get involved in the music scene? What are some of your favorite early memories of music and being in bands? What artists inspired you to get into music?
Nick and I started out in the Manhattan KS music scene just by going to all the shows around town and forcing our way into that world. There were a lot of great bands there and especially in Lawrence KS, so our band at the time played open mic nights and just begged clubs to let us open for people. We worked crappy day jobs on purpose so we would never lose sight of the real goal - getting to rock for a living! Which eventually we made happen, pretty much by sheer willpower. As far as favorite early memories, I'd say when we recorded "Electric Kissing Parties". We'd just became a three piece, and had no idea if we could make things work that way, but we just went for it. When we heard it back we were pretty excited. The artists that inspired me to get into music early on were just random bands we'd see live in super small towns in KS. There was a band called Zwarte that we thought were awesome. Ha...that's going back for ya. Anyway, Nick and I would see these types of bands when we were young and we knew that's what we were gonna do.

Thanks for taking the time to answer the questions I appreciate it. Anything else you’d like to let our readers know?
No problem man, thanks for your interest! If anyone out there happens to be a UFB fan - make some noise, and maybe we'll come rock your town again sometime!

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Drew Beringer Interview(Absolutepunk.net Reviewer) (CLICK HERE TO READ)

I recently had the chance to interview Drew Beringer. Drew reviews albums for absolutepunk.net. Click above to read the interview and make sure to check out his fantastic reviews over at absolutepunk.net

You review albums for absolutepunk.net. I’m familiar with your work but for those who aren’t how’d you get started at ap.net and what all do you do for the site?

It's funny how I got started writing reviews in general. I've always loved music, so my freshman year I made a Xanga blog (remember those?) and started writing really crappy reviews, haha. Like these reviews were just awful, bad writing with some horrible cliches. Hopefully no one ever discovers it haha. Anyways, later on that freshman year, an user from AP.net was starting up his own little webzine and was looking for reviewers. I volunteered and began writing there. It was beneficial for me because I was able to hone in on my skills and improve my writing. I wrote at Leakmob for about 6 months. Then in October of 2005, Jason Tate made a news post asking for new reviewers (this was way before we had user submitted reviews like we do now). The way to apply was to just submit in that thread a copy of a review you have written. I submitted a review I wrote for Emery's "The Question." Jason then selected Darren McLeod and me as the two new reviewers out of hundreds of applicants.

Anyways, what I currently do for the site is what I have always done: review. Out of the reviewers currently on staff, I've been there the longest, so I organize reviews and (try to) make sure that they get done as well.

You review albums on a high profile site which means that your review carries a lot of weight, meaning reviews are linked on Wikipedia, in press releases, etc… Do you ever find it hard to speak the truth about an album because of how it will be picked apart by fans of the artists and the artists themselves?

Never have found it hard to speak the truth. I am not shy about sharing my opinions about music. For example, currently I'm writing a review for the new From First To Last album, a band many users on AP.net hate. But I dig the album a lot and am going to give it a generally positive review. I try to give everything a chance and give it my honest opinion, regardless of outside influence.

A lot of people aren’t too familiar with the lifestyle of someone who works for one of these sites. A lot of people think that they’re getting paid a lot of money, hanging out with artists, and get an all exclusive pass to everything music. Which is not always the case…I know I’ve worked for magazines and websites. What do you think some of the biggest misconceptions about your job are?

The biggest misconception is that we get paid to post specific news or give a band a specific review. We have never been paid by any band/label/publicity group for positive press, nor would I ever take money to do such a thing.

Also writing at AP.net is purely volunteer writing. We don't get paid in money, which is fine. I get advances and CDs, etc., and that's cool. The best part about writing for AP.net is that it's such a big spectrum to get my writing out and have thousands of people view it. It's really cool.

I’ve been a reader of ap.net for quite a few years now, over the last couple of years your reviews really stand out on the site and I tend to check the review to see if you did it. Who have been some of your favorite reviewers (past & present) at ap.net and what rock journalist are you a big fan of?

First off, every reviewer at AP.net does a great job writing, they have my utmost respect. Steve Henderson, Julia Conny, Blake Solomon, Greg Robson, Jeremy Aaron, Chris Fallon, Adam Pfleider, and Alex DiVincenzo are awesome, and I read every single review of theirs. I feel incredibly blessed to be on that writing team.

My favorite AP.net reviewers are definitely Jason, Scott Weber, Gabe Gross, and Darren McLeod. Great writers, it’s a shame they don’t write anymore. Scott’s review of the first Scary Kids Scaring Kids album was awesome, as was Garett Press’ review of Coheed’s Good Apollo.

I don’t really pay attention to rock journalists’ names, I do like James Montgomery. Really, I enjoy all the writers at Paste Magazine and Pitchfork Media.

You have a few things in your interviews that kind of make them unique from other reviews and the writing is never stale. How do you keep your writing interesting (and avoid burnout) when you’re doing so many reviews?

I just be me, haha. I love music so much that I don’t ever get burnt out. I try to add in some humor and pop culture references into my reviews without taking away from the overall focus. I also try to bring a different perspective on an album. The thing with my reviews is that while I might have hated so and so’s first album, if they kill it on their second one, they’ll hear praise from me. I try to give every band a chance (key word: try). I don’t hold grudges.

Has there ever been an album you looked forward to then received and it was the biggest letdown and then you had to tear apart a band you once enjoyed in a review?

With letdowns, I don’t necessarily tear them apart. I usually express my deep disappointment. I usually save my “teardowns” for gimmicky bands cashing in on trends (I’m looking at you Cobra Starship).

What are some of your most anticipated releases of this year?

Out of the one’s that I’ve heard, definitely the new Deftones record, as well as the new Minus The Bear. I am really anticipating the new Hold Steady, Hawthorne Heights, Gaslight Anthem, and Circa Survive albums.

Being a music reviewer you probably come in contact with a bunch of artists that you might like but don’t fit the format of the site or you just don’t have time to do reviews. What are some bands people should be on the lookout for and what are some of your favorite artists?

Currently some bands that I’ve been digging that no one really seems to pay attention to are The Forecast and Standing On The Shoulders of Giants. The Forecast just released their new record on Eyeball, and it’s fantastic. Standing on the Shoulders of Giants is a local band out of Chicago that really bring it, some of their stuff has a Gatsby’s American Dream vibe to it.

My all time favorite artists/bands are Tegan & Sara, Every Time I Die, Kanye West, Saves The Day, Deftones, and Thursday.

If you had to think of one album that gets a score of 100% what album would that be and why?

Easily White Pony by Deftones. I bought this album when I was in eighth grade and it totally changed my entire perspective on music. During that age period of 12-14, I was really into the pop punk thing with blink and Saves The Day, and I really enjoyed Weezer and Rage. But that record really opened up my eyes. It is flawless.

You are part of the journalistic side of music. Have you ever been in any bands or have any musical projects?

Haha, I do not have any musical talent. In high school, I was in the elite choir group that got to tour the state and do one “national” tour, but that’s the extent of it. So if I ever started a band, I would definitely be a vocalist.

I guess that about wraps it up man, thanks for taking time to answer the questions. Do you have anything you’d like to add?

Follow me on twitter @drewberinger and follow me on Facebook as well. Thanks a lot!

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Frankie Rose (Interview) (CLICK HERE TO READ)

I recently had the chance to interview Frankie Rose about her band Frankie Rose & The Outs as well as the work she is doing with the Dum Dum Girls. For those unfamiliar with Frankie Rose she has been a member of Vivian Girls and Crystal Stilts.

You've been a member of Vivian Girls, Crystal Stilts, and are a current member of Dum Dum Girls, aside from that you released your first solo release not to long ago. When can we expect an album from Frankie Rose & The Outs and how does the songwriting process work for that group. Do you play everything on record or does the entire band record on the project?


My album is finished and ready for pressing, I am hoping it will be out on Slumberland records by the end of summer! I write all the songs for my band , but we all record, Its a pretty simple process.

I've watched quite a few live performances from your solo show and I noticed you switch up and play drums on a song or two. What feels more comfortable to you as an artists being behind the kit or being up front with a guitar and a mic?

Being in the front is still pretty uncomfortable.it has taken some getting used to , I cant say i'm the most powerful front woman, but I'm working on it..

You're solo project kind of reflects some of the projects you've been in, but is also your own thing and kind of pushes you to the top of the genre and showcases not only your ability to write songs but your ability to vocally carry a group. After spending so much time behind the kit what made you decide to step out and finally put yourself out there as one of the leaders of the genre?

Well the funny thing is , I don't even really like playing the drums so much. My theory is I land behind them because everyone needs I drummer. If bands were like hockey teams I think I would eternally be the goalie! I'm just trying to step it up really , try something new .Get better at the guitar...

I know you contributed some songwriting outside of just drumming duties to Vivian Girls. When you work with a band how much input do you add to songs that you may have not gotten credit for?

Its true..The songwriting drummers plight perhaps.


You joined Dum Dum Girls and became a member of the touring band. I know Dee Dee the lead singer is also a drummer as far as the album did you play drums on the album or are you just part of the touring band?

I'm just helping Miss Dee out for a minute is all. Shes the best.

You've been in so many bands and they have all achieved some substantial popularity do you feel you've been lucky in choosing what projects to become involved in? And do you still maintain friendships with the bands?

Depends on the band. Mostly yes. I have been lucky indeed. But in the end, I would never play in a band if I didnt love the music.

I read somewhere that drums kind of just became what you would play because you were going to start a band and needed a drummer. What is the first song you ever played on drums where you felt like you had something?

I'm not sure I have ever "had something" I have no real attachment to the drums.

The lo-fi, reverb, garage (whatever it's called these days haha) explosion happened last year and leading into this year quite a few artists have adopted the sound. Do you embrace all the people jumping onboard or do you see it as a downfall or watering down of the genre?

If I have ever recorded something that to everyone else's ears sounds"lo fi" it is because I didn't have the money to take it into a studio and record it properly.. "lo fi "is not a new genre, im not so sure why it is being displayed as such.

As far as style goes you tend to play a stripped down kit, with a fast paced vibe, what songs have you done that you think are best representations of your drumming?

All the stilts stuff is pretty on point as far as my style. Minimal.

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Leslie Mosier (Interview) (CLICK HERE TO READ)

I recently had the chance to interview Leslie Mosier about her upcoming EP Single Moment. Click above to check it out and make sure to support her and pick up the EP.

Your debut EP sounds really good. I really like the message of the EP and kind of the vibe and idea of Single Moment. Can you give our readers some insight into why you picked that title and kind of what you mean by Single Moment?

First off, thank you! I’m glad you enjoyed it. I decided to name the EP Single Moment mostly because I felt that the song Single Moment reflected me most as an artist. The song is upbeat, and the lyrics are about wanting just one moment with the person you’re in love with. A number of my songs deal with love and relationships, and just everyday situations in general. It was also the song that I first sent Dave Melillo as a demo, and I figured since it was the song that basically started my music journey, it was only fitting that I named my EP after it.

Now you're friends with Dave Melillo, who I've had the chance to interview and talk with numerous times (when I worked for other publications), and he's kind of helped you out as well as appearing on the EP. What type of encouragement did you get from him? I know you have a duet with him on the EP how did that come together?

Dave has helped me beyond belief. He’s the person I go to for any advice whatsoever about my music and he always points me towards the right direction. He’s an amazing source of encouragement, and I feel like he’s helped me enormously to become a better artist. Butterfly was written one night when we were taking a break from recording, and he started playing a really pretty riff on his guitar. He started singing, and as I typed the lyrics he sang on my laptop I harmonized…and the song was born! It’s one of my favorites on the EP and I feel very lucky to have been able to do a duet with him.

Dave was signed to Drive Thru at a young age and I know you're only 17 right now. Has he given you some good advice about what to watch out for going into the music industry at a younger age than say someone in their mid-twenties?

Dave has definitely given me awesome advice. Since he has experienced everything that I’m going through at the same age, he’s able to give me a true insight to everything. I take all of his advice to heart, and it’s great to know that I have someone who’s only a call away if anything major comes up that I need an opinion on.

The EP has to me kind of a crisp summer feel to it. Was that kind of the vibe you were going for? Is there anything you would have liked to try in the studio you didn't have time for?

I am so fortunate that I was able to work with people who had the same vision for my songs that I did when I wrote them. They sound exactly the way I would have liked them to, better even. If anything, I would have wanted to record more of my songs and just be able to write more with Dave. I have so much more material that I’d like to get recorded and put out, so hopefully in the near future I will get the chance to do that again.

You also had another guy from the Nocturnal Me (ex-CIWWAF) camp contributing to the EP Jeff Czum. He played guitar on the EP. Do you plan to continue to collaborate with him in the future or did he just kind of help out on the EP? And I guess the same question goes for Mikey Lasaponara, do you plan to continue to work with him in the future?

Both Jeff and Mikey are some of the most talented musicians I have ever been able to meet or work with, and I consider myself extremely lucky to be able to say that they played on my EP. I would definitely love to work with them in the future if I get the chance. However, if touring is an option on the road ahead for me I may need to find a drummer and guitarist to call my own!

With the music industry in a really different place than it was say 5 or 10 years ago and the internet being such a driving force in music, what plans do you have to promote the EP and what do you think is key in making the EP successful and getting it into the ears of as many listeners as possible?

I spend a lot of time promoting on Myspace, it seems like the site is still a great way for musicians to promote. I also have a pure volume, and a twitter. Word of mouth has also been a driving force throughout the promoting…Dave has helped a tremendous amount, as well as other musicians. To make the EP successful I think I just have to stay true to myself, and stay true to my music. So many new musicians are awful role models and have lyrics that are very disgraceful, and I’d like to be a positive image in the industry; not only to people my age but also to musicians…that you don’t have to only write music about sex or drugs or drinking for it to be considered real.

Well I guess that about wraps it up. Thanks again for taking the time to answer the questions I appreciate it. Anything else you'd like to add?

Thank you so much for giving me the chance to do an interview! To anyone reading this, I’d love for you to check out my music and buy my EP on March 24…also, the link to my myspace is

www.myspace.com/lesliemosiermusic

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Best Coast Interview (Click Here To Read)

I recently had the chance to do a phone interview with one of my favorite up and coming acts Best Coast. Click above to check out the interview.


Best Coast lead front woman Bethany Cosentino is quickly emerging as one of the most exciting acts out of California in a long time. She is currently working on finishing her debut album. Throughout the interview Bethany showed why she deserves the hype she's getting. She's not afraid to wear her heart on her sleeve, profess her love for mainstream radio, The Beach Boys, Vinyl, and Blink 182.


Last year your music really rose to prominence on the internet and by word of mouth, you had been in Pocahaunted and a solo artist prior to Best Coast. What do you think it is about Best Coast that has really caught people’s attention?
I don't really know. To be honest I was kind of surprised anyone talked about it. I dropped out of college, moved back from New York, and put some songs on the Internet, and all of the sudden I was doing all these weird interviews. I'll be the first to admit the songs aren't that complicated. They're short, quick, and fun. I feel like people's attention span for music has died down. Pachaunted had like twenty minute songs and I just didn't have that in me anymore. I just don't have the attention span. I feel like my music is not too mainstream and not too indie, it's in the middle.

I’ve read about artists who remark that over saturation and too many bands causes music listeners to move on from artists. With the lo-fi explosion of last year and a lot of new artists coming out of the woodwork and tons of bands jumping on the band wagon, as an artist how do you maintain the attention and buzz you've been able to achieve?
I don't know. I think you get tagged as a lo-fi artist if you use reverb or effects, but the early stuff was lo-fi, people have been using reverb and effects forever. I don't know. Our early stuff was lo-fi sounding because we recorded it on our own, but the new stuff we recorded in a studio. I don't know why some bands get attention and other bands, sometimes better bands don't. I think it has to do with the Internet like you were talking about. It's overwhelming how many blogs and sites there are and you can download music from. I think it's cool the Internet allows everyone to have a voice. It can be a little scary because due to all the negativity because people can be anonymous.

I read on your twitter that you recently completed recording your new album. I understand this will sound like the Black Iris recordings. Am I right? When do you plan to have an official single out? And when are you planning on releasing the album?
At this point I really don't. We finished the tracking for the album, but the mixing won't start until mid-late February. Our producer is in a couple bands, Fool's Gold and Foreign Born, and he tours a lot and we tour a lot so we have to find time to work on it. We also don't have a label yet or don't know which label we would like to go with. We're hoping to have it out in the summer or fall. As far as a single I don't know. We're playing SXSW, and may be playing on the east coast, but don't hold me to that, we will for sure go to Europe that is confirmed. Those will be the first time people will get a chance to hear some of the new stuff.

With technology being so easy to own and mp3s replacing physical ownership of music and people being able to make slick studio recordings in their bedrooms, what do you think the fascination is to kind of rebel and go back to analog and vinyl?
For me, I honestly think when you listen to something on vinyl it gives it a warm sound. It sounds different on the iPOD in your car. When the needle hits the vinyl that sound is just hard to replicate. For Best Coast vinyl is great because I'm inspired by the 50s and 60s. It really depends on what world you live in. I was asked in an interview if I thought CDs were obsolete. I know a lot of artists like myself, Vivian Girls, and Waves are into vinyl and the sound. I don't download much online. I like physical ownership and experiencing it the way the artist wanted me to with all the liner notes, it's more aesthetically pleasing. Plus CDs get scratched. I don't even own a CD player. If I buy a CD I just put it on my computer.

About every interview I’ve read everyone asks about your past as a child star, so I guess I’m going to jump on the bandwagon but kind of from a different angle. What is the worst job you ever had as a child star?
Honestly, I don't remember a lot because I was really young. I hear this question a lot and I think maybe people have made more of it that what it really is. I was literally not a child star. I feel it gets overblown. I did commercials for Little Ceaser's and Pepsi. The most annoying thing is the parents who are living through their children, show parents. It's really gross and scary. I remember trying to talk to other kids at the auditions and their parents would be like don't talk to them they are your competition and that's a fucked up way to raise their kids. I was never forced to do it; I chose to do it just like I chose to do music. It was something I wanted to do and my parents were supportive of it. I was so young I didn't understand why I didn't get jobs. I was too young to understand it. I remember I did one commercial and I got a fever, because child stars work really long hours and it was really cold outside. I got a fever working these insane hours and my mom said that's it you're done.

I watched a few videos and read a few interviews before doing this and I was struck by something, in I think it was a Nylon interview, that I was wondering if this piece of information was true or not, it looked like it was said in jest. In a video interview you talked about Bob Bruno being your babysitter. Was Bob Bruno ever actually your baby sitter?
I hate to crush everyone's dreams but it's not true. Bob wanted us to keep it going, but I feel bad about lying. Like you said it was a Nylon interview and they do this thing where they research your band and ask you about it and in the end they want an unknown fact. I couldn't think of anything. My name is always mispronounced so my fact was going to be the proper way to say and spell it. They wanted me to do something else and they were just like make something up. Bob and I had been joking about him being my babysitter earlier in the day, because he's like ten years older than me and I guess he could have been my babysitter. So they were rolling and I said it and it made it onto the video. A lot of people have been asking about it.

I know you’re a big Beach Boys fan. What's the coolest Beach Boys item you own?
Actually I bought a copy of Endless Summer and it's really old. It had the original poster with the album and it's dated like 1974. I actually hung the poster on the wall in my bedroom. I was a little unsure if I wanted to because I had to poke four little holes in the poster.

What is the coolest clothing item you own (or have ever owned)?
My style has changed a lot throughout my life, now I basically wear a lot of black. My mom got me the cape for Christmas and it's fleece, has a hood, and keeps you really warm. It rained here for two weeks and my house gets really cold so it kept me warm. It's kind of a fashionable sunggie. I'm into weird sports clothes. I have a humongous Lakers jersey. I had a Shaq jersey, but I think I sold it on eBay.

Who is one artist people wouldn't expect that you like?
I don't have any guilty pleasures. If I like something I'm vocal about it. I like Miley Cyrus. She may not write all her own music, but I think she's written a couple. I legitimately like Party In The USA. I watch a lot of TV and I really like Hannah Montana. I'm into mainstream rap. I like artists like Lil Wayne, Gucci Mane, and T.I. Lil Wayne is so cool he doesn't write his lyrics down and most of it is freestyle. Some music snobs will never admit to liking certain things, but I'm vocal about what I like. I like a lot of mainstream radio. I don't understand stuff like 3Oh!3, LMFAO, Brokencyde, stuff like that. I just figured out LMFAO was nominated for a Grammy and I thought that was disgraceful. I draw the line at music like that. When I first heard Brokencyde and seen the videos I thought it was a joke, but whatever more power to them. That kind of music to me is absurd. Like I said though I'm more of a mainstream radio person and I'm not afraid to admit to it.

I read in an interview that you said if you could be asked any question it would be about cats. So these are the Best Coast Cat Questions:

Heathcliff or Garfield? And why?
Garfield absolutely. My cat is modeled after Garfield. I'm obsessed with Garfield. He's a great comic. He's a fucking lazy cat that eats lasagna. I wanted a cat that was very similar to Garfield and I feel like my cat knew and just went with it. Garfield is awesome he's lazy and sleeps late. Those are two things I enjoy.

Best cat toy you’ve ever purchased?
I got this weird tunnel thing from The Goodwill. It's a tube with a hole in the top. It makes a crunchy sound when he walks through it. I thought he would really like it because he's always jumping in holes, like grocery bags and stuff, but at first he wouldn't go in it. My friend Andrew was over and got him interested in it and it's really cute to see him in it. The only annoying thing about it is the crunchy sound it makes and I can hear it all night when he's going through it at like 4 a.m. I bought him a scratching post and he doesn't use that, so it's nice to know he uses at least one thing I've bought him.

Have you ever seen the Broadway play Cats?
No, I haven't. I've seen clips of it and it's kind of scary looking. I had an awesome looking Cats shirt, the one with the eyes, but I lost it.

Complete the joke: Two cats walk into a bar...
I don't know. This is going to take a minute. I'm sure later on in the day I'll think of something really good to say. This won't be funny to anyone else, but the image of it is funny to me. I guess just two cats walk into a bar and have a drink. Two cats named Garfield walk into a bar order a Budweiser and eat their lasagna leftovers.

Check Out Best Coast at SXSW and for the latest Best Coast News Check Out Bethany's personal blog: www.blogspot.com/bestycoasty

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Jeff Kummer Interview (Click Here To Read)

I recently had the chance to interview Jeff Kummer about his new solo project. We also talked a little about The Early November. For those unfamiliar with Jeff he played drums in The Early November as well Your Sweet Uncertainty. Click above to read the full interview or click the picture.

You also won't see this picture to the side anywhere else, just yet, it was sent exclusively by Jeff.

For those who aren’t familiar with your work, you are a solo artist now, but previously you played drums in The Early November & Your Sweet Uncertainty. After playing in bands for such a long portion of your career what made you decide to go solo?
No one wants to be in a band with me anymore because I can’t kick my meth addiction.

You announced you had finished the solo album up in September. What can fans expect from the solo album? Also what was the recording experience like (who’d you record with, did you play all the instruments, etc.)?
They can expect to hear a mediocre construction of songs that teeter between pop punk and rock. I recorded with Chris Badami of Early November fame. The recording process was extremely relaxed. There was no pressure other than my own. Other than a few guest appearances, I tracked every instrument on the album.

While recording the album you did a series of webisodes called My Life. What made you decide to do these and will you continue to do more of these in the future?
What many people don’t know is that the webisodes are just an excuse to tape myself.

Can you give me some information on the possible release date of the album? After the album is released do you plan to tour in support of it?
I do plan on playing a lot of shows because I really do miss it, but I don’t plan on touring at the moment.
The breaking news is that the album will be mastered next Tuesday. The artwork is already done so I plan on pressing the album immediately afterwards. I’m on the fence whether I should release it in late December or January. At this point, I feel like it would make more sense to release it in January. My five fans reading this are probably so pissed off at me right now.

Do you have an official first single from the album decided and if so do you plan on shooting a music video in support of it? If you are, do you have any ideas for a concept?
There are two songs that I plan on releasing before the album is out called “Write Me Off” and “Safe To Say”. Since they’re both in the same vein, I want to see what kind of reaction they get before I really start pushing one. I don’t plan on doing a low budget video unless we come up with an idea that’s worth watching.

You’d talked about recently that you were going to include a cover of Absolutely (Story of A Girl) on your album, but it was never finished. The acoustic version sounded really good any chance you’d ever jump in the studio and record a studio quality acoustic cover for the fans?
I don’t know if I would re-record that song in particular. If anything, I would most likely do a different song that people haven’t heard. Maybe next time something that’s not that well known.

I frequent Absolutepunk like most music fans and you are always talking to fans and leaving comments. More recently it was brought up about the last TEN concert live CD/DVD and you talked about how you guys didn’t have much control over when it came out. Some people took this as another lost in the vault Drive Thru project and started a Free TEN Facebook group. What do you think of the group?
I think it’s really flattering that people still care. Every so often I find myself listening to those old albums like a fan would. I feel like I can relate to them in that sense.

I also have to ask and I know we talked about it a little, but Sound In The Signals post a lot of hip-hop stuff. Is there ever a chance we’ll here you rapping again?
I really don’t have as much time on my hands as I did when I was making rap songs about boobs and wieners. Don’t get me wrong… I would love to continue making songs about boobs and wieners; I just can’t at the moment.

What is the one thing that people don’t understand about Jeff Kummer?
I’m dumber than I look.

I guess that wraps it up man. Any closing comments you’d like to make?
I’m gay.

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Alexander Spit Interview (Click Here To Read)

I recently had the chance to interview Alexander Spit about various things including his solo debut Open 24 Hours. Check out the interview and make sure to grab his new album. It is available for purchase over at The Hundreds online shop.

- You just released your first solo album, before that you were a member of the Instant Messengers. Is that group officially over? If so what made you decide to pursue the solo route and how has stepping out on your own as a solo artists been so far?

As of right now, The Instant Messengers are not working on any music or doing shows together. It's the result of all members agreeing that what we were doing was at its end. And what we had done together from the age of 15 until now (22) was huge. Before I was even legally able to buy cigarettes we were performing in front of a huge audience. Before I was old enough to be at bars, we were performing at them for sold out crowds. We toured the country crammed in a van playing gigs for free! Being in that crew taught me the art of paying dues as a musician.

During that time, I was always working on solo music. I was a solo artist before the crew had even started.

Now that I've gone solo, its forced me to work ten times harder. Whereas before, the workload was divvied up between four members, now it’s all in my hands. The metaphor I always use to describe the hustle is that now I'm "spinning plates". It's hard as a solo artist. But I feel that the reward is more fulfilling. I've always been big on the DIY (Do It Yourself) method of work.

Luckily, I do have a team of homies that ride for me. They help me get a lot done. I ain't able to pay these folks so their work means a lot. I think it's important for listeners and people to understand, that most great works of art, are the result of several people's helping hands.


- Your new album Open 24 Hours was released by The Hundreds. How did you hook up with The Hundreds to release the album? With The Hundreds being one of the top urban lines out right now has their involvement helped the album be a big success?

My Clark Kent is at The Hundreds store in SF. It's funny... Cause I kinda got the job itself at random through a friend. I barely knew anything of The Hundreds until a year ago... and now they're putting out my debut solo album.

I met the owners Ben and Bobby Hundreds a few months into being at the SF shop. A conversation began came up that I make rap music. That night I sent them what I had been working on as well as footage from live shows and what not. A few days later, Bobby hit me back completely ecstatic about what I'd been doing. He pretty much explained that he would be fully supportive of what I was trying to do with music. The rest is kind of history.

In regards to what its done for my success... It's done huge things. I've never had much appeal in the so-called "street wear" demographic. So, being that they are arguably the biggest "street wear" company out right now, it put my music in front of a lot of people. These fans of The Hundreds, trust in what The Hundreds put out as being dope. Plus, "street wear" cultures thrives off Hip Hop music.

My involvement with The Hundreds has boosted my fan base. It's also brought in the haters. It's all kind of crazy to me. I dig it. It's kind of made me speed up my hustle. Cause now that there's attention towards me, I can't be stagnant anymore. People's attention span doesn't last long nowadays. So it's important to not rest on the success of one project.

- The one thing I notice about this album when I listen to it is that it captures the California vibe. It has a lot of sunshine and easy living vibes, but there is also a lot of grit? Was that something you were trying to accomplish with this album?

I've lived in Cali my whole life. Currently in San Francisco. This city has the brokest of the broke to the richest of the rich. It's a blend of so many cultures and people. So the "sunshine and easy living vibes" with "a lot of grit" is a result of my surroundings.

So that sound is something I'm trying to accomplish with everything I do in music. There's beauty and there's ugly. That's life. That's what I try to portray in my songs. Luckily, Hip Hop is the perfect genre for this. You can utilize beautiful melodies to create a mood. Then add heavy drums to get people's hips moving. Then, finish it off with raps to create the classic Hip Hop energy we all love.

- The album title is interesting and I’m kind of wondering what the meaning is behind Open 24 Hours?

It's like... Who are you when no one else is looking? Are you the same person that you show to your friends and family? The same person on the bus headed to work? "Open 24 Hours" is my painting the effort towards being a "real" person. The person that you are 24 hours a day. I tried to do it all through the elements of being a young person in an urban city. Bars, sex, drugs, etc. All of it helped me paint the concept I was trying to get across.

- The Westcoast is producing a lot of hip hop artists right now and some are calling it a new West Coast renaissance kind of thing. I think your album kind of fits along with some of those other artists (U-N-I, Pac Div, Fashawn) in the way that it feels like a real hip hop record. It has top notch production and lyrically it is just top notch through the entire album. Can you tell me about who did the production and kind of where your head was at lyrically?

I did all the beats. In regards to the raps... I just wanted to drop science but with steez and energy. Have folks dancing to the beat cause they feel it, then pause and be like "this kid is actually saying something!" I like Top 40 music. I just think most of it can be saying more. So lyrically, I wanted to get real on these kids. But at the same time, come correct. A lot of the album has braggadocios raps as well. I think a rap record needs that. Rap needs to feel and sound dangerous. I'm just trying to say things that relate to me and make y'all think it's dope.

- You released a video for “Beat In The Street” can you tell me a little about how you came up with the concept for the video and what the filming process was like?

The Eazy E sample immediately made me think it needed to be a video with driving scenes in it. It's a high energy song and I wanted to portray that in the video. Rap videos are one of my favorite things in existence. Seeing rappers rap in front of their homies and at parties. That's my shit. Simple but energetic. In my video, I wanted those elements, but with my lifestyle. There's no ice being flashed. No video hoes. The girls in my video are quirky; artsy chicks that ain't trying to look like strippers.

We shot the video in LA. Mainly because that's where we'd get the most for our dollar in regards to hookups we had with equipment. It's funny... cause in every song I've ever made... I rep SF hard. Then once the video came out, fools were coming at me like, "So you're all Hollywood now huh?!?". It's funny to me. LA made the video what it is. It needed that summer vibe. Hah, and SF don't really get much sun.

The video was directed by Matt Hobbs. He's an absolute genius. Most of the shots in the video were ideas he came up with on the spot. He knew exactly how to execute what needed to be done. He knew how to help people feel comfortable in front of a camera. The dude is young too. He's killing it right now directing videos for a lot of folks. I think he just did one with Too Short recently. Check his work out. www.vital-films.com

-Who are some artists from your area you think are fixing to breakout that people should check out?

Man... The Bay flourishes with talent. It frustrates me and a lot of people that it's not recognized nationwide. The state of mind is different here I guess. Most of us ain't trying to be famous. We just want to put out quality music. And cause of that, most of it goes unnoticed.

Anyways...

You have to fuck with my boy Cambo. He's got beats and versatility. Probably the funkiest white boy I know. My boy DJ Effective is a REAL DJ. Dude, can do everything behind the tables. Hopie Spitshard is killing it. She and I got a project were working on right now that will be sure to turn heads. J-Billion got the whole city behind him. All of the Risky Bizness Crew is killing it. Those are my folks. They all hold me down real hard. They got SF on lock right now. It's dope. Hmmm... also my homies Fist Fam. These dudes are all from North Carolina and made their way out here and brought SF that southern noise. Craziest dudes I know. I could go on forever... 6Fingers, DNAE Beats, Enoch, Bo-Rat.... I don't know. Just do your research on Bay Area music.

-I guess that about wraps it up man, can you let everyone know where they can find you online and where all your new album is available?

Follow me on Twitter at twitter.com/alexanderspit. Hit up alexanderspit.com for weekly updates. And y'all can cop my album on iTunes. Or, you can order it online from www.thehundreds.com. The CD is available at Amoeba, Rasputin, FTC, True, and both The Hundreds shops.

Much love. Stay tuned for what's to come. I got that new new for y'all soon!

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The 87 Stick Up Kids Interview (Click To Read)

I recently had the chance to interview The 87 Stick Up Kids. This interview was done with Deacon & Squish. This is by far one of my favorite hip hop groups out right now and these dudes know how to make good hip hop.

Make sure to download their EP "Out 4 Fame" for free.

First off thanks for the interview

Deacon: No, man. Thank you.

87 Stick Up Kids are building a lot of hype and have been for a while. Can you tell me how the group got started and when you knew you had something that people would take notice of?

Deacon: Essentially, everything began when Rockwell, Deacon and Squish decided that there was something missing from the eastside of LA’s party scene- Rowdy, Boom Bap Rap. With that vision in mind, Rockwell recruited Nash to be part of the outfit as well as Micah James. We soon came to a group agreement that stylistically Micah should be his own entity and thus was born The ’87 Stick Up Kids (Rockwell came up with the groups title). Once people heard the four had formed a group we started getting booked for shows immediately off the strength of our personalities. I mean, we didn’t even have songs written. It’s been steadily building from it’s inception into what you before you today.

Squish: We started about 3-4 years ago, we all had been doing different projects in different bands and through the process of many house parties, booze, and conversations we decided to form like voltron and create something that no one was really doing at the time. We really just wanted to bring some fun back into hip hop and give people a great live show, and that i think has really helped in people taking notice of us.


You released an EP not to long ago called Out 4 Fame. Can you tell me about the recording process of the EP and where your heads where at while making it?

Deacon: 12 packs of Tecate and bottles of Ancient Age did a lot of the initial thinking for us. Basically, we set out to make music that we enjoyed that was in the spirit of the Hip Hop that made us fall in love with culture. The Out 4 Fame EP is The 87 Stick Up Kids figuring out how to make records together as a group. We wanted make something that was rooted in the past but that had its eyes on the future, and that had something for everyone on it.

Squish: This was a recording that was pieced together we recorded a few tracks here and a few tracks there. As far as our heads go, they were filled with Ancient Age and Tecate.

The new EP Out 4 Fame was released as a free download, along with your newest single. A lot of artists are releasing high quality free material these days. Why did you guys decide to release the EP for free and do you think releasing the EP for free as helped the group’s name spread more?

Deacon: Without distribution the only way to make your name is to get the music in peoples hands. Today the interwebs is the medium you can use to do that. You know, other then selling shit out the back of your trunk or after shows. We felt like the easiest way for people to know who we were was to create a presence on the internet.

Squish: In the end, being able to release something for free makes it a lot easier to get out to the masses. Especially when your a group that doesn't have label support or management. When you are doing it DIY as ourselves, you have to take every advantage that the interwebs and blogs have given artists. It seemed only fitting to release it for free.

You guys just released a new song called “Lights, Camera…” that was produced by Troublemaker. I know you guys are also working on some new stuff. What can we expect next from the group album, mixtape, new EP?

Deacon: We’re currently working on our follow up project to “Out 4 Fame” called “Car Keys and Rabbits Feet” which we hope to have fully completed by early next year. There will be other releases here and there to keep people on their toes, but Car Keys is definitely where our focus is. Nash and I have started recording tracks with Ro Blvd who produced U-N-I’s “A Love Supreme” and those songs will be finding homes in a variety of places.

Squish: Bangers...

You guys did a video for “Born To Roll” which is a great video and it’s full of energy. How did you come up with the concept and I’ve heard video shoots are tough projects -(been in a couple myself haha)- What was the process like and are you pleased with the fan response to the video?

Deacon: The fan response has been amazing, and we can’t thank them enough for the support. The video itself was conceived by Kwesi Kodia of Dia Creative. He approached after hearing Born To Role with a complete treatment in hand and the connects to get the video shot quickly and cheaply. We also had a great team of friends who came together to make the whole thing happen.

Squish: We are lucky enough to come from a very close group of family and friends. In this circle are numerous amounts of talented people, one of them being Qwesi Thomas who directed that video. He had his ideas and was very open to ours. In the end it was a great time making it and i think it open some doors for new fans.

We talked a little about “Lights, Camera…” the other day and the fact you guys are doing something kind of different with the new stuff. What can we expect to be different on these new tracks?

Deacon: A wider variety of production styles, but complimented with the same raw energy and lyrical prowess. That and a lot of bass. A lot of bass.

Squish: We are growing as a group as well as our sound. But to sum it all up it's an orgasm for your ears.

You guys always call Micah James an unofficial member of the 87 Stick Up Kids and he’s been in videos, songs, press photos with you guys. How did you meet up with him and what do you think it is about his style of rapping that fits so well with yours?

Deacon: Micah is a virtuoso MC whom Rockwell, Nash and Squish have known for years. Micah can rap on any beat, about anything, and do it better than your boy can. We have brought him along for the ride because he makes us look good.

Youtube videos show you guys have a crazy live show. I’ve gotta know what is one of the best show experiences you’ve had?

Deacon: There’s been a bunch: The show we did with Cool Kids at the Roxy was pretty amazing. We pulled up the front row of the crowd for our show closer and the kids went ape shit and were wilding out with us on stage. Anytime we do “Too Drunk Fuck” and crowd sings the chorus along with us is always great.

Squish: Every show has it's little golden nuggets, but just recently we played at the Abbot Kinney Festival in Venice, CA it was great to see all walks of life getting down to our music. We literally had the street packed and to look out and see smiles on everyone's faces is something that you can't beat. From the young to the old, to the rich and the poor. SOmetimes you want to let loose and we provide that outlet for you.

Now I’ve heard this title thrown around the blogs some and I was wondering what your reaction is to it. I’ve heard some blogs claim you guys are the next Beastie Boys. What is your reaction to this?

Deacon: It’s a compliment. The Beastie Boys have had one of the most successful careers spanning 3 decades, have toured the world, and sold millions of records. We hope to have a fraction of that success.

Squish: For me personally, i take it as a compliment. The Beasties are hands down one of my favorite groups ever, and to be compared to and even called the "new" beasties is an honor. I hope that we can make an impact as much as they did.

I’ve haven’t asked many fashion questions to groups in a while, but I’m going to thrown one out there now. What are you three favorite items (or designers) currently? And what are the freshest sneakers you own?

Deacon: Got to shout out Grn Apple Tree, Mighty Healthy, The Hundreds and Plain Gravy for keeping me laced. I destroy every pair of kicks I own. Even the expensive custom jernts so give me a pair Vans Era Originals and I’m straight.

Squish: Bally's out the box, no socks.

Who some artists you think are doing good things for hip hop right now?
Shout out to Brother Reade, Pac Div, Diz Gibran and Moonshine, Bleu Collar, U-N-I, Rob Roy, and Troublemaker.

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P Smoov Interview (Click To Read)

I recently did an interview with P Smoov. Smoov is a Seattle Producer/Rapper who is in the groups Mad Rad and Fresh Espresso. Both groups are part of the buzz that is building in Seattle right now. Click Read More to check out the interview.

You are part of the Seattle hip hop scene that people are really starting to take notice of. What do you think is sparking so much interest about artists in you area as of lately? What do you think is unique about Seattle hip hop?

I think that the hip hop being produced in Seattle right now has a sound unlike anywhere else on the planet.It doesn’t sound like hip hop that has been created before. Some of these bands are pushing the boundries of what hip hop can be in a time when everyone else is cloning sounds that we have all heard before. I think this defiance of mainstream is what stirs up such extreme reactions from our listeners (weather good or bad).

You are in Mad Rad & Fresh Espresso (I’ll cover Mad Rad first). You guys released your first album last year White Gold and it has really lit up the scene in Seattle. Can you tell me a little about how all you guys got together and what the group is setting out to accomplish?

I met Terry Radjaw at one of his shows roughly 3 years ago. He was performing a solo act at that time and Buffalo Madonna was his backup dancer. Buffalo was rockin’ booty shorts and hightop rebooks at a backpacker show. Radjaw was rappin about throat babies and pussy when everyone else was preaching about some bullshit they didn’t really believe in. I hated “conscience rap”. I write energetic, fun, danceable music. So, I invited them over to my studio (the Robot Room) and as we began putting together tunes. We quickly realized that when we collaborated creatively, amazing things happened. We were composing songs for our album White Gold, and didn’t even know it yet. All we knew was that these songs sounded like nothing any of us had heard before. We weren’t setting out to accomplish anything in particular, but as the project grew so did our faith in our music and we started planning our first shows and debut album release.


Now I read somewhere that your company Out For Stardom plans to release a new album every 9 months. With Fresh Espresso out does that mean the next project is the new Mad Rad album. If so can you tell me a little about the recording process and where your heads will be at for this next record?

The next record has roughly 7 songs so far. It is very different from White Gold. We have seen a lot of things in the time between recording White Gold, and this new album. Our new album reflects the changes we have all experienced in our lives. I would describe it as a much more mature and melodic record with slightly less of a hip hop influence. I am listening to a lot of dance music lately (especially French/uk/east coast electro). It’s a pretty sexy record so far, with lots of climactic moments and crescendos. Lots of beat changes and grimey breakdowns on the record. I want the listener to be as entertained by what is going on in the beats as with the lyrics, and vice versa.

Also, Darwin (our dj) doesn’t write for Mad Rad (in the studio), but the tunes he plays me all the time are a HUGE influence on my new production and on the record as a whole.


Mad Rad has had some troubles in Seattle. I’ve read some issues about live shows that are too wild and posters on buildings. Are you guys past all that now or are you still having trouble with area?
Drama is like the tide. The troubles will come and go. Everyone in our group have big personalities and our live show could defiantly be described as “WILD”. Some clubs embrace this with open arms, some clubs don’t. We are going to just keep doing what we do, sharing our art, and packing out clubs.


Your other project is doing really well, on CD baby as well as internet buzz, and it’s called Fresh Espresso. Can you tell me a little about how that group came together and what sets you apart from Mad Rad?

Strangely enough, I met Rik via MySpace.com. I heard his tunes and loved his voice and lyrical style. I sent him some beats via email and he returned me verses. I was living in L.A. and he was living in Seattle. I randomly ended up moving to Seattle a year later and he and I met sometime within the first week of me being here.


I think Fresh Espresso’s sound is very different from Mad Rad’s even though I compose the beats for both groups. I really enjoy collaborating with Rik Rude because he brings something entirely different to the equation than any other artist I work with. Harnessing Rik Rude’s insane lyricism and raw emotion into a composition as complex as he is, is exciting and challenging and inspiring. The same could be said about Buffalo Madonna and Terry Radjaw, but it takes a different style of production to make the two different products shine their hardest. I think that is what separates the two bands into two very different entities.


I’ve read some interesting things in interviews about why the album is titled Glamour, but can you let our readers know how you came up with the title and why?

One of the re-occurring themes on the record is grime vs. glamour. When we were composing this album Rik and I were both well below the poverty line. I was homeless and Rik was unemployed. We definitely fit the “Starving Artist” mold. It was fun making music about how our grimey, poverteous lives were somehow glamorous. With the addition of Rabid Child Images super clean photography it seemed to sum up the whole project under one word; “glamour”.


On top of producing and being in two groups you are also working on a solo project. Do you know when that will be out and what will that project be like?

The initial idea for the record is a collaborative project with a lot of mc’s I respect and enjoy. Weather or not it will be that way when it is released, or if it will ever come out in either of our lifetimes, is the question of the hour.

I know you went to school for engineering and paid your dues in the studio. Can you tell me how you got into producing and when you really felt like your beats were starting to stand out of the crowd?

I set up my first studio when I was 14 years old in my dad’s house. I charged local bands $10 a song to record them. I recorded a lot of songs at that price. I also started making beats during this time. They sucked, but making music made me feel so good, and so energized that I couldn’t stop. After a while they sucked a little less, and a little less, until one day they stopped sucking. I just did it in every free minute I had, everyday, until I stopped sucking. I think they stopped sucking about 3 or 4 years ago… so I am still pretty new at this. Haha.

Outside of producing and performing you also are a talented artists you go under the name Ten Hundred with your art. What inspires you as an artist and do you plan to release more shirts with the designs (like the Mad Rad one) or do more custom sneakers?

Art is how I relax. I have always done it to release energy I can’t get out through music or whatever. When I do t shirts and art shows and stuff it kinda takes the relaxation out of it… so I have been taking a little bit of a break from art. But the winter is coming, and I am ready to lock myself inside and geek out on some paintings.

Also give me the scoop on the Beard Off that happened between Terry Radjaw and Sir Thomas Grey was that one of the craziest events Seattle’s has had in a while?

Um… it was a basketball game and the looser had to shave their beard. Thomas won. Radjaw shaved. There’s some videos out there you can peep.

I gotta ask because when talking about Seattle hip hop Capitol Hill comes up everywhere. Can you tell me a little about that scene and why it is so important?
It’s party mountain. It has lots of nightlife and debauchery. Us Seattle kids love us a good party.

Lastly, being from a place that is starting to get some major buzz nation wide what are some of your favorite artists from the area that are either breaking out now or you think will break out?

They Live, Champagne Champagne, and VS… and us.

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